LET'S TALK ABOUT IT... Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. 2025 EDITION Radio Prague International The Republic of the Center LISTEN Radio Prague International - LAVH LISTEN 2024 EDITION The Republic of the Center Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. 4ÈME ÉPISODE SUMMARY : Meet our new civic service volunteer Cécile Costa, who is in charge this year of the 6th edition of our French-language high school theatre festival, the Frankoscény. In this interview, Cécile tells us about her daily life within the company, her missions and the place of theatre in her life. Enjoy listening! 7ÈME ÉPISODE SUMMARY : Our festival starts in 5 days, and on this occasion, we spoke with the patron of this 6th edition, Markéta Hodouskova. She tells us about her connection to French culture and the Francophonie, her role as patron, and her meeting with Eric Cénat. Enjoy listening! 8ÈME ÉPISODE SUMMARY : Our civic service volunteer, Cécile Costa, tells us about what particularly struck her during these three days of festivities, the importance of the existence of European projects and her future aspirations. Enjoy listening! Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Épisode spécial "FRANKOSCÉNY" SUMMARY: We speak with our civic service volunteer, Gaïa Colombe, who tells us about her missions, the organization of the festival, and her arrival in Pardubice, Czech Republic. Enjoy listening! 9ÈME ÉPISODE SUMMARY: On the occasion of the launch of the 5th edition of our "Frankosceny" festival on Thursday, April 25, we have the chance and the joy of exchanging with the sponsor of this edition Sergii Ieromin, director of the French Language and Culture Center Paris-IF, Ivano-Frankivsk in Ukraine. He shares with us his love for the French language and culture, talks about his work and how he still manages, despite the war, to maintain a cultural life. Enjoy listening! Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. 2024 REPORT 2024 REPORT 2024 REPORT 2024 REPORT 2024 REPORT 2024 REPORT 2024 REPORT

FRANKOSCÉNY#5 April 25-26-27, 2024 THE PROGRAM PARTICIPATING TROOPS - 2024 edition Hradec Kralové - Czech Republic Bistrita - Romania Tunis - Tunisia Olomouc - Czech Republic Friday April 26 - Professional show Where did the Man on the Motorcycle go? Celine Caussimon Where did the Man with the Motorcycle go? refers to Edith Piaf's song, L'homme à la moto. Remember, at the end of the song, we only see his panties, "his boots, his black leather jacket with an eagle on the back" but not the motorcycle or its driver. In her show, Céline Caussimon plays Inspector Mélodie, from the BAC (Brigade d'Activité dans la Chanson) who decides to conduct a musical investigation through French song from the 60s to the present day. THE GODMOTHER On Thursday evening, the various troupes took part in an open mic night, where each had five minutes to present a performance of their choice. This was an opportunity for them to showcase an aspect of their culture to the international audience of the Frankoscény! Saturday evening was the closing party, a festive moment for the participants before they parted ways! ARTISTIC PRACTICE WORKSHOPS During the festival, artistic practice workshops will be offered to participating troupes, supervised by professional French artists . THE GODFATHER Celine Caussimon Director of the Paris-IF French Language and Culture Center, Ivano-Frankivsk in Ukraine. Sergii Ieromin Sergii IEROMIN was born on August 20, 1965 in Kostiantynivka, Ukraine. After studying at the University of Horlivka, he taught French in the Luhansk region. He contributed to the founding of the Alliance Française of Luhansk, where he was President and then Director between 1996 and 2014. He then became Deputy Director of the Alliance Française of Odessa from 2016 to 2017. He contributed to the founding of Paris-IF, which he has directed since February 2018, with the challenge of having it labeled Alliance Française. Very involved in teaching, he has been a French teacher in Ukraine since 1989 and has written 2 French textbooks for Ukrainian students whose use has been validated by the Ministry of National Education. In 2006, he received the decoration and title of Elite Professor of Ukrainian National Education and then became Knight of the Academic Palms of French National Education in 2014. Sergii is an important figure for cultural and linguistic cooperation between France and Ukraine. For example, he organizes the first days of the French language and culture. THE GUEST ARTIST Celine Caussimon Singer, actress , author celinecaussimon.com Céline CAUSSIMON is an actress, author and singer. She started writing at a very young age. Already in primary school, she wrote short plays that she then performed with her classmates. She has recorded 4 albums including Le moral des ménages (2007) which was awarded "Coup de Coeur" by the Académie Charles Cros. She regularly leads writing and song workshops. Since 1996, she has toured French-speaking countries such as France, Canada, Switzerland and Belgium. In 2019, she created the show Where did the Man on the Motorcycle go ? VOLUNTEER IN CIVIC SERVICE Gaia Collombe Gaïa COLLOMBE was recruited as a volunteer on a civic service mission by the Théâtre de l'Imprévu to ensure, alongside the Imprévu team, the organization of the 2024 edition of the Frankoscény festival. With a professional degree in Communication Professions specializing in events, she has a particular interest in events, particularly in the cultural sector. She also had the opportunity to do theater when she was a high school student and to attend the Avignon festival in 2022. Starting in January 2024, she will be working from the Alliance Française in Pardubice. Naturally curious, she is very enthusiastic about discovering the Czech Republic and everyday life in Pardubice. According to her, living in another country is a very enriching human and cultural experience. ARTISTIC PRACTICE WORKSHOPS VOLUNTEER IN CIVIC SERVICE The sixth edition of Frankoscény is under the high patronage of the European Parliament, the Centre-Val de Loire Region, the Pardubice Region, the French Embassy in the Czech Republic, the French Institute in Prague, and the Ministry of Education, Youth and Sports.

THE THEATRE OF THE UNEXPECTED Since its creation in 1986, Le Théâtre de l'Imprévu has consistently affirmed its roots in history, reality, and the memory of the women and men who, in the shadows or in the spotlight, have shaped our collective consciousness. Far from any museum-like reconstruction, our artistic approach relies on the power of words and theatre to re-examine narratives, illuminate areas of silence, and foster civic debate. The artistic approach Words are at the heart of our artistic approach. In a society where image takes precedence and rubs shoulders with the ephemeral, words give meaning and place us in time and space. Through them we explore our past, understand our present and reflect on our future. We look for words where they are found, where they serve emotion, thought and pleasure: Play, testimony, interview, novel, letter, poem, song, journalistic writing… On stage, the words then flow from our mouths. In the Czech Republic La compagnie Le Théâtre de l'Imprévu est basée à Orléans, en France, mais ses créations traversent les frontières. Cela fait dix-neuf ans déjà que le directeur artistique et metteur en scène, Éric Cénat, monte des projets en Tchéquie et plus particulièrement dans la Région de Pardubice, dans le cadre de la coopération européenne entre celle-ci et la région française Centre-Val de Loire. Ces actions internationales visent à proposer une approche différente de l'apprentissage du français, à travers le théâtre, avec notamment le festival Velké Scény (anciennement Frankoscény) , et la lecture à voix haute . Ces mises en pratiques artistiques de la langue française permettent de l'appréhender en passant par des exercices précis de prononciation et d'élocution mais dont l'objectif dépasse la simple maîtrise de la langue elle-même. Le Théâtre de l'Imprévu en Tchéquie c'est : Deux festivals internationaux de théâtre francophone lycéen et collégien, le Velké et le Malé Scény ; Un concours national de lecture à voix haute ; Des créations professionnelles franco-tchèques ; Des ateliers et des stages francophones dans des établissements scolaires ; 19 ans d'amitié, de rencontres, et de coopération ; Des créations théâtrales en partenariat avec les lycéen.ne.s. Retrouvez toutes les actualités de la compagnie sur notre site web. www.theatredelimprevu.com Documentary films

FESTIVAL PRESENTATION Malé Scény Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Iconic places The Theatre - Small stage At Divadla 2703, Pardubice Troop shows, rehearsals, professional show The French Alliance of Pardubice Klášterní 54, 530 02 Pardubice I Artistic Encounters

PRESENTATION OF THE READING ALOUD COMPETITION PRESENTATION OF THE READING ALOUD COMPETITION Le Concours national de lecture à voix haute a été imaginé et conçu par Florence Saint Ygnan (alors en poste à l'Institut français de Prague comme attachée de coopération à la langue française) et Éric Cénat. Les objectifs artistiques, pédagogiques et linguistiques sont les suivants : Prononciation et placement de la voix; Langage corporel/maitrise corporelle; Regard au public; Transmission et gestion de l’émotionnel; Mise en avant de sa personnalité à travers les écrits d’un autre. Ces rencontres de lecture à voix haute visent à développer l'intérêt des jeunes tchèques pour la poésie, ainsi que pour la lecture expressive, la langue française et la francophonie en général. Chaque année, nous proposons une nouvelle thématique avec deux corpus de poème distincts, l'un adapté pour les niveaux collège et l'autre pour les niveaux lycée. "Approaching reading aloud with poetry as a textual support has the merit of immediately expressing diverse feelings, of creating a cathartic effect and of playing with words." Éric Cénat - artistic director of Nové Scény PRESENTATION OF THE READING ALOUD COMPETITION Le concours de lecture à voix haute en Tchéquie est organisé à l'échelle nationale. Depuis 2025, nous proposons un format numérique où les participant.e.s ont la possibilité de créer des capsules vidéo de leur lecture à voix haute, permettant de laisser libre cours à leur créativité ainsi que de manipuler les outils du numérique. En 2026, le concours a été organisé de façon hybride, laissant le choix aux professeur.e.s de choisir le format qui convient le mieux à leurs élèves. Après une première introduction en ligne au thème et aux corpus de poèmes sélectionnés par Éric Cénat, les professeur.e.s de français qui le souhaitent, organisent d'abord le concours au sein même de leur établissement. Sur la base de la lecture à voix haute des poèmes qu'ils ou elles ont sélectionné, les élèves participant.e.s désignent les 3 meilleurs performances. Tous les finalistes des établissements participant au concours se retrouvent ensuite à l'occasion d'une finale, organisée à l'Institut français de Prague. Au cours de cette finale, les participant.e.s prennent part le matin à divers ateliers. Les premier.ère.s finalistes collège et lycée tirent au sort des poèmes, qu'ils vont ensuite travailler afin de les présenter l'après-midi. Les second.e.s et troisièmes finalistes prennent part à divers ateliers d'élocution , de lecture ou encore de théâtre. Après un repas offert par l'Institut français de Prague, les premier.ère.s finalistes présentent la lecture à voix haute de leur poème tiré au sort, ou la capsule vidéo qu'ils ou elles ont réalisé. L'ensemble des finalistes reçoit à la fin de cette journée, un diplôme de participation ainsi que des prix. Depuis 2022, les concours de lecture à voix haute en Tchéquie sont organisés sous le haut patronage du Ministère tchèque de l'Éducation de la jeunesse et des sports PRESENTATION OF THE READING ALOUD COMPETITION Le concours de lecture à voix haute en Ukraine est organisé en partenariat avec l'association Paris-IF, centre culturel et de langue d'Ivano-Frankivsk. Il est organisé entièrement en ligne. Le format numérique numérique du concours implique la création de capsule vidéo des lectures à voix haute, permettant de laisser libre cours à la créativité des participant.e.s, de leur permettre de manipuler les outils du numérique ainsi que de diffuser leur travail à grande échelle. Les professeur.e.s de français participant.e.s présentent les corpus à leurs élèves, qui produisent des vidéos de la lecture du poème qu'ils ont choisi. Sergii Ieromin, directeur de l'association Paris-IF, sélectionne dans un premier temps les 3 meilleures capsules de chaque établissement participant. Cette sélection est ensuite soumise à deux jurys internationaux, un pour le concours collège et un autre pour le concours lycée, composé de personnalités de la culture et de la francophonie. Ils évaluent les créations selon les 4 critères suivant : L'interprétation et l'expressivité, La maîtrise de la langue, La créativité de la vidéo, La qualité de la vidéo. Le classement des finalistes est dévoilé au cours de la finale, organisée en ligne, sur la plateforme de streaming Discord. Chaque capsule est diffusée dans l'orde du classement déterminé par le jury. L'ensemble des finalistes reçoit un diplôme de participation ainsi que des prix. PRESENTATION OF THE READING ALOUD COMPETITION Get all the tools you need for successful reading aloud: Eric Cénat presents his best tips for a successful reading aloud!

FRANKOSCÉNY#4 April 27-28-29, 2023 Programme THE PROGRAM PARTICIPATING TROOPS - 2023 edition Les troupes Hradec Kralové - Czech Republic Lunch - Romania Cairo - Egypt Tunis - Tunisia Olomouc - Czech Republic PARTICIPATING TROOPS - 2023 edition Spectacle profesionnel Friday April 28 - Professional show Three years after her death, Greek composer Sophia Alexandrou, Czech visual artist Vojtech Janyška and French director Éric Cénat are joining forces to celebrate this emblematic figure of Greek poetry. Winner of the European Literature Prize, Kikí Dimoulá left her mark on her country's poetry scene. In her repertoire, Le peu du monde has a very special place. Written in 1971 and translated into several languages, this work brought her worldwide fame. She depicts the passing of time, daily life and solitude in a bittersweet tone. Her unique perspective still resonates today. To illustrate this timeless text, the three European artists interweave, on stage, musical creation on the piano, spoken or sung French and Greek voices and animated projections of watercolour paintings. A way for them to breathe new life into this work and make it eternal. THE THREE EVENINGS ON OFFER On Thursday evening, the various troupes took part in an open mic night, where each had five minutes to present a performance of their choice. This was an opportunity for them to showcase an aspect of their culture to the international audience of the Frankoscény! Saturday evening was the closing party, a festive moment for the participants before they parted ways! ARTISTIC PRACTICE WORKSHOPS During the festival, artistic practice workshops will be offered to participating troupes, supervised by professional French artists. They will take place on Friday and Saturday mornings. THE GODFATHER Vojtech Janyska Visual artist and videographer The works of the painter and video artist Vojtech Janyska are influenced by his numerous travels in Asia and more particularly in India, a country whose language and culture he studied, and whose cinematographic creation he passionately follows... He regularly creates theatre sets incorporating video projections (including Hotel Europe with Jacques Weber, directed by Dino Mustafic at the Théâtre de l'Atelier, or most recently Maryvonne by Camille Berthelot, WET 2020 - CDN festival in Tours). Since 2003, Vojtech Janyska has presented his work in numerous galleries in France and the Czech Republic, where the National Gallery acquired two of his paintings. He regularly invests public spaces, such as during his "manifestation bien" , where he displayed about a hundred life-size painted wooden figures on the forecourt of the Centre Georges Pompidou. THE GUEST ARTIST Sophia Alexandrou Greek composer & musician Sophia Alexandrou has been composing and arranging music since 2010. She won her First Prize for Original Composition at the age of 13 and has since won nine more First Prizes at Panhellenic and European music competitions. She has participated in three international film soundtrack competitions and was a finalist in two of them. She has collaborated with the Greek Olympic Committee, the French Institute and the French Embassy in Greece, with ARTE, TV5, Athens Concert Hall, as well as several directors. She has composed for animated short films and plays. Her music has been performed at the Olympic Stadium in Greece, the Panathenaic Stadium, the Ancient Theatre of Dion, the Athens Concert Hall, the French Embassy in Greece, the French Institute in Greece, the Athens Plaza Hotel and many others… VOLUNTEER IN CIVIC SERVICE Lea Laouaf With a degree in History and a Master's degree in Teaching, Education and Training, Léa taught History-Geography in a college for a year. She was recruited as a volunteer on a civic service mission by the Théâtre de l'Imprévu to ensure, alongside Morgane Nory and Éric Cénat, the organization of the 2023 edition of the Frankoscény festival. From November 2022, she worked from the Alliance Française in Pardubice. Also passionate about theatre since adolescence, she keeps in memory these precious moments of exchanges, freedom of creation and personal emancipation. A few years ago, Léa had the opportunity to study in Prague. She regularly returns to the Czech Republic and knows the city of Pardubice well. VOLUNTEER IN CIVIC SERVICE The sixth edition of Frankoscény is under the high patronage of the European Parliament, the Centre-Val de Loire Region, the Pardubice Region, the French Embassy in the Czech Republic, the French Institute in Prague, and the Ministry of Education, Youth and Sports.

NATIONAL READ ALOUD COMPETITION #5 under the High Patronage of the Czech Ministry of Education FRANKOSCENY 2025 Theme : POEMS OF EUROPE Nearly 70 students celebrated "European Poetry" on April 24th for the fifth edition of the national "Read Aloud" competition final. From Romania and Portugal to France and the Czech Republic, the finalists took the audience on a journey. All the finalists were prepared under the direction of Éric Cénat, Claire Vidoni (for high school students); Danièle Geffroy and Monika Krecanova (for middle school students) a poem drawn at random, while the second and third prize winners from each establishment participated in a theatre workshop with Léa Laouaf, our volunteer in civic service. The 2023 jury: Danièle Geffroy, Marie Cernikova and Claire Vidoni. This edition received financial support from the SUF (French Teachers' Association).

Frankoscény #2 online edition April 17, 18, 19, 2020 Frankoscény #2 online edition April 17, 18, 19, 2020 Programme THE PROGRAM Friday April 17, 2020 2 p.m. - Successive opening speeches: Eric Cénat, artistic director of Frankoscény Amadou Lamine Ba, Senegalese poet and coordinator of the African House of International Poetry and director of Éditions Feu de Brousse, sponsor of the 2020 festival Mr. Línek, Vice-President for Culture of Pardubický Kraj Charles Fournier, Vice-President for Ecological and Citizen Transition, at the Centre-Val de Loire Region Cooperation From 2:30 p.m. to 4:30 p.m. - Let the show begin! Teaser for the play The Wave by Todd Stasser, directed by Simon Flambeaux Poem The Voice by Robert Desnos, read by Éric Cénat, French director and actor, accompanied by Sophia Alexandrou, Greek musician. Teaser for the show "What? Bulgaria?", written and directed by Sylvia Donceva, teacher The song "Comme au théâtre " by Roland Arday, performed by Claire Vidoni, French director and actress, accompanied on piano by Valérie Lanoir, French musician Teaser for the show "Michelle, should we blame you for taking a selfie at Auschwitz?" by Sylvain Levey, collectively directed under the artistic and linguistic guidance of Christelle Pagani and Alice Buffard, teachers Introducing Céline Caussimon and her world, French actress and singer. Excerpt from Murmur of Memory by Amadou Lamine Ba, Senegalese poet Saturday April 18, 2020 Troupe of the Boženy Němcové High School in Hradec Králové in the Czech Republic, performance The Great Disaster by Patrick Kermann , collective staging under the artistic and linguistic gaze of Petra Zemanská, teacher Poem Barbara by Jacques Prévert , read by Éric Cénat, French director and actor, accompanied by Sophia Alexandrou, Greek musician Protha High School troupe from Panciu in Romania, Wanda show by Mihaela Michailov and Radu Apostol, directed by Cătălin Sfirloagă, teacher Friendly song by Céline Caussimon , French actress and singer Troupe of the Matyáše Lercha High School in Brno in the Czech Republic, show L'Oiseau bleu by Maurice Maerterlinck, collective staging under the artistic and linguistic gaze of Thierry Saint Arnoult, teacher. Sunday April 19, 2020 Troupe of the Matyáše Lercha High School in Brno (Czech Republic), show Don Juan returns from the war by Ödön von Horváth, collective staging under the artistic and linguistic gaze of Thierry Saint Arnoult, teacher - Video production by Julien Sonntag, volunteer in civic service within Théâtre de l'Imprévu Poem That life is worth it by Louis Aragon , read by Éric Cénat, French director and actor, accompanied by Sophia Alexandrou, Greek musician Troupe of the Lycée Pierre de Coubertin in Tábor (Czech Republic), show Paris c'est Fou by Jean-Paul Cantineaux and Roland Dubillard, collective staging under the artistic and linguistic gaze of Moïse Lemonnier and Velik Miroslav, teachers Song Vae Soli by Maurice Mac Nab, performed by Claire Vidoni, French director and actress, accompanied on the piano by Valérie Lanoir, French musician THE TWO EVENINGS OFFERED Les soirées Saturday 18 April - professional show The traditional Saturday evening performance of a professional show has been replaced by an online performance of extracts from the play Où est passé l'homme à la moto? by Céline Caussimon. Inspector Mélodie discovers on his desk a file that has been pending since 1956: the case of the Man on the Motorcycle. Remember: at the end of the song, we find his panties, his motorcycle boots, his black leather jacket with an eagle on the back. But the motorcycle and its driver have disappeared! We have to face the facts: the Man on the Motorcycle has been hiding in French song for 60 years and has managed to cover his tracks. But Inspector Mélodie and his trusty accordion are determined to find his trail... Les troupes PARTICIPATING TROOPS Hradec Kralové - Czech Republic Prostejov - Czech Republic Trencin - Slovakia Olomouc - Czech Republic Bucharest - Romania Brno - Czech Republic Prague - Czech Republic Tabor - Czech Republic Panciu - Romania Baia Mae - Romania PARTICIPATING TROOPS Ateliers During the festival, artistic practice workshops are normally offered to participating troupes, supervised by professional Czech and French artists. However, during the 2020 edition, the workshops could not take place. They were replaced by virtual artistic interventions, such as poems or songs. Les intervenants PARTICIPATING TROOPS Amadou Lamine Ba Poet An admirer of Léopold Sédar Senghor, Amadou Lamine Ba is a young Senegalese poet aged 38. In Dakar, he coordinates the Maison Africaine de la Poésie Internationale (MAPI) and Éditions Feu de brousse. He is also the President of the RFI Dakar club and is committed to African youth through his mandates as President of the Municipal Youth Council and Treasurer of the Departmental Youth Council. The first Senegalese to participate in the 2020 edition of the Guadeloupe Poetry Festival and the first poet invited to the African Fashion Festival in Dakhla, Morocco, he was awarded several prizes: - Winner in 2010 of several poetry competitions in Senegal on the theme of the African Renaissance; - Winner in 2016 of a poetry competition organized by Les Editions Teham (France) on the theme of Peace; - Prize in 2017 for the best collection of the young generation in Senegal for “Murmure de la mémoire”; An author committed to a more fraternal and multicultural world, Amadou Lamine Ba also participated in research around Jean Louis Roy's book: "Welcome to the century of diversity. The new cultural map of the world." Defender of the Francophonie, Amadou Lamine Ba sponsored the 2020 edition of the Frankoscény Festival. PARTICIPATING TROOPS Celine Caussimon Singer, musician, actress Trained at the Cours Périmony and through various internships with JL Lagarce and J.Deschamps, she holds a degree in Theater Studies (Paris III). She has vocal training in variety and musical training as an accordionist. Alongside a career as an actress in cinema, television and also in the theatre, she released four albums, one of which was awarded the "Coup de Coeur" by the Académie Charles Cros. Since 1996, she has regularly toured French-speaking countries such as France, Canada, Switzerland and Belgium. In 2011, she was programmed within the Alliances Françaises of Burma and Sri Lanka. Transmission is a source of inspiration for her, she regularly leads workshops (writing/song) and was an artist commissioned in schools by SACEM in 2016. In 2017, she combined these multiple talents in the creation of the show Où est passé l'Homme à la moto ? PARTICIPATING TROOPS Julien Sonntag Civic service volunteer Holder of a DUT in Social Careers with an urban management option, Julien has acquired numerous skills in project methodology by investing in several actions (Creation of a Fab Lab, implementation of a regional air energy climate plan, revaluation of the Vère Valley, etc.) After completing his training, he was recruited on a civic service mission to ensure the organization of the 2020 edition of the Frankoscény Festival. He has been based at the Alliance Française in Pardubice since the beginning of November 2019. Frankoscény #1 April 12, 13, 14, 2019 THE PROGRAM THE PROGRAM Members of the troupes are free to present whatever they like. Everyone (whether it's an entire troupe, small groups or a single member) can perform in any artistic form (singing, music, dance, theatre, improvisation, sketch, etc.). The proposals should be detailed in your troupe's registration form (duration, participants, nature, style). One rule only: each intervention must last a maximum of 5 minutes . It's your turn! THE PROGRAM The Society of Botanical Psychology was shocked by a discovery made by a group of independent scientists. By implanting pieces of DNA from other living organisms, the researchers transformed the behavior of vegetables. Now, even simple vegetables stored at home are beginning to display basic emotional and motor functions. Did you know… there's life in your refrigerator? Saturday evening is dedicated to a professional show, which will be performed at the Pardubice Theatre. It is a mime show performed by Kateřina Janečková and Matěj Kohout. THE PROGRAM Hradec Kralové - Czech Republic Prostejov - Czech Republic Trencin - Slovakia Olomouc - Czech Republic Bucharest - Romania Brno - Czech Republic Prague - Czech Republic Tabor - Czech Republic Pecs - Hungary Baia Mae - Romania THE PROGRAM Jaromir Janecek Actor, director and translator Born in 1947, Jaromír Janecek studied French and Russian at the Faculty of Arts in Prague. He is now the artistic director of the Studio Saint-Germain troupe in Prague, a theatre created with the French Institute. He has translated into Czech several plays by French authors (including Yasmina Reza, Roland Topor, Jean-Marie Besset, Romain Weingarten), some of which he has directed himself. He is also a translator from Russian and Croatian. THE PROGRAM Katerina Janečková Actress Kateřina Janečková was born on 7 May 1983 in Šumperk. She comes from a family of artists. Her mother is an actress and her father is a film director. As a child, her dream was to dance, which was inspired by her grandmother Lea Janečková, a well-known choreographer. Under her guidance, Kateřina devoted herself to expressive dance, but later she also wanted to act as such. She applied to the conservatory. She first studied at the University of Prague and then at the University of Ostrava. She gained her first real acting experience in front of the camera at the age of eleven. Along with Dagmar Veškrnová, she appeared in the series When the Sun Doesn't Work. Later, she began to appear more or less regularly on television screens - for example, the fairy tale Restaurant to the Prince , where she met Matěj Hádek, who played Prince Filip II, in the role of Princess Róza. She could also be seen in the series Trailier - Second League and Family Bond . However, her role as the devoted secretary Kateřina Bertoldová in the TV series Prima Osklivka Katka brought her real popularity.

Le Frankosceny se transforme et devient une nouvelle aventure culturelle, le Nové Scény. Dans un désir toujours plus fort d'ouvrir nos événements à une majorité de jeunes européen.ne.s et d'accentuer davantage les échanges multilingues et interculturels, nous vous proposons deux rendez-vous : le Velké Scény (anciennement le Frankosceny) et le Malé Scény. Nové Scény NOVÉ SCÉNY A European project by the Théâtre de l'Imprévu Festivals MALÉ SCÉNY Festival international de théâtre francophone collégien Organisé pour la première fois en 2026, ce festival rassemble des collégien.ne.s francophiles du monde entier, à Pardubice en Tchéquie. Pendant deux jours, venez découvrir des spectacles amateurs, rencontrer des profesionnel.le.s du monde des arts et vous ouvrir à d'autres cultures. En savoir plus... VELKÉ SCÉNY Festival international de théâtre francophone lycéen Anciennement "Frankoscény", ce festival rassemble des troupes lycéennes francophones de différents pays, à Pardubice en Tchéquie. Pendant quatre jours, venez découvrir des spectacles amateurs, rencontrez des profesionnel.le.s du monde des arts et vous ouvrir à d'autres cultures. En savoir plus... THE FESTIVALS PULL-ALOUD COMPETITIONS En Ukraine Concours de lecture à voix haute en ligne Le concours de lecture à voix haute revient en Ukraine, à destination des collégien.ne.s et lycéen.ne.s ukrainien.ne.s apprenant le français. Les participant.e.s pratiquent l'expression orale, l'imaginaire et la création en réalisant une capsule vidéo sur laquelle les finalistes sont sélectionnés. En savoir plus... En Tchéquie Concours de lecture à voix haute hybride (Re)découvrez la poésie francophone dans le cadre de ce concours à destination des collégien.ne.s et lycéen.ne.s de Tchéquie apprenant le français. Travailler l'expression orale, l'imaginaire et la création en pratiquant la lecture à voix haute classique, ou en réalisant une capsule vidéo. En savoir plus... OUR LATEST NEWS Découvrez les capsules vidéo du concours LAVH Retours sur les festivals 2026 avec l'after-movie Les pré-inscriptions 2027 sont ouvertes ! OUR PARTNERS In 2026, the Nové Scény is placed under the high patronage of the European Parliament, the French Embassy in the Czech Republic, the Czech Ministry of Education, Youth and Sport, and the Pardubice region. To play, press and hold the enter key. To stop, release the enter key. Subscribe to our newsletter Would you also like to receive Nové Scény news directly in your inbox? Sign up below and receive our upcoming newsletters! First name Surname E-mail* Send

VELKÉ SCÉNY April 13-16, 2026 THE GODMOTHER THE GODMOTHER THE GODMOTHER She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. THE GODMOTHER THE GODMOTHER Spectacle pro THE GODMOTHER She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. The Box - 7:00 PM The Box - 8:45 PM THE GODMOTHER Markéta Hodoušková Director of the Czech-In Film Festival and Kino Visegrad Markéta Hodoušková was born in Prague and holds a Master's degree in Audiovisual and Cinema from the Sorbonne and a Bachelor's degree in Translation from Charles University in Prague. She has contributed to the writing of French subtitles for more than 25 Czech films. She has also served as the General Director of the International Confederation of Arthouses (CICAE). She is now a member of several European initiatives, including the Paris Council of Europeans, the Observatory of Cultural Diversity, Film New Europe, and the European Network for Cinema and Media Studies. In 2009, she founded the Czech-In Film Festival in Paris , which aims to promote Czech and Slovak cinema to the French public. In 2014, she also created Kino Visegrad , an agency promoting Central, Eastern and Balkan European cinema in France. THE GUEST ARTIST Laura Segré-Cenat Actress She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. Laura Segré-Cenat Actress She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. THE GUEST ARTIST To play, press and hold the enter key. To stop, release the enter key.

NATIONAL READING OUT LOUD COMPETITION #4 Theme : THE POETRY OF ROBERT DESNOS This year, in partnership with the SUF (Czech Association of French Teachers), the Théâtre de l'Imprévu organized the Final of the Reading Aloud Competition at the French Institute in Prague, after three years outside the walls. This fourth edition focused on the work of Desnos, who died in the Terezin camp (on Czech territory) in June 1945. The aim was to honor his memory 75 years after his death. Two separate categories were created: one for middle school students with 10 finalist participants and the other for high school students with 11 participants. On April 25, 2022, all the finalists prepared a poem drawn at random under the direction of Éric Cénat, Claire Vidoni and Violette Grünenberger (for high school students); Danièle Geffroy and Monika Krecanova (for middle school students), while the second and third prize winners from each establishment participated in a theater workshop with Petra Zemanska and Simon Gilmer. The jury for the 2022 edition: Danièle Geffroy, Marie Cernikova and Claire Vidoni. This edition, under the High Patronage of the Czech Ministry of Education/MSMT, benefited from financial support from the SUF (association of French teachers).

Podcast - Nové Scény Menu NOVE SCENY Close Général Nouvelle page Nouvelle page Nouvelle page Contact Nouvelle page Nouvelle page Edition 2025 2024 Edition 2023 Edition Nouvelle page 2020 Edition Nouvelle page Nouvelle page READING ALOUD Nouvelle page Nouvelle page Nouvelle page Nouvelle page Nouvelle page 2022 Edition 2019 Edition Services Nouvelle page Nouvelle page Nouvelle page Nouvelle page LEGAL NOTICES Nouvelle page Résultats de recherche Avec ce podcast spécialement dédié à nos festivals, découvrez les dessous du Malé et du Velké Scény. Comment s'organisent de tels festivals ? Comment travaillons-nous avec nos partenaires ? Qui se cache derrière toute cette organisation ? Découvrez également qui sont les artistes qui nous accompagnent dans cette aventure humaine et multilingue. Quelles sont leurs motivations ? Que souhaitent-ils.elles transmettre à nos jeunes participant.e.s européen.ne.s ? Découvrez ce qui fait la force et la richesse de nos festivals. Belle écoute ! Nos volontaires en service civique Nos parrains & marraines