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Le Frankosceny se transforme et devient une nouvelle aventure culturelle, le Nové Scény. Dans un désir toujours plus fort d'ouvrir nos événements à une majorité de jeunes européen.ne.s et d'accentuer davantage les échanges multilingues et interculturels, nous vous proposons deux rendez-vous : le Velké Scény (anciennement le Frankosceny) et le Malé Scény. NOVÉ SCÉNY Nové Scény Un projet européen par le Théâtre de l’Imprévu LES FESTIVALS Festivals VELKÉ SCÉNY Anciennement "Frankoscény", ce festival rassemble des troupes lycéennes francophones de différents pays , à Pardubice en République tchèque. Pendant quatre jours , venez découvrir des spectacles amateurs, des profesionnel.le.s du monde des arts et vous ouvrir à d'autres cultures. Pour en savoir davantage, rendez-vous sur la page dédiée à cet événement en cliquant ici. MALÉ SCÉNY Pour la première fois en 2026, ce festival rassemble des collégien.ne.s francophiles du monde entier , à Pardubice en République tchèque. Pendant trois jours , venez découvrir des spectacles amateurs, des profesionnel.le.s du monde des arts et vous ouvrir à d'autres cultures. Pour en savoir davantage, rendez-vous sur la page dédiée à cet événement en cliquant ici. LES CONCOURS DE LECTURE À VOIX HAUTE RÉPUBLIQUE TCHÈQUE (Re)Découvrez la poésie francophone dans le cadre de ce concours à destination des collégien.ne.s et lycéen.ne.s. Travaillez l'expression orale, l'imaginaire et la création en réalisant une capsule vidéo sur laquelle les finalistes seront sélectionnés. Pour en savoir davantage, rendez-vous sur la page dédiée à cet événement en cliquant ici . UKRAINE En 2026, le concours de lecture à voix haute revient en Ukraine . (Re)Découvrez la poésie francophone dans le cadre de ce concours à destination des collégien.ne.s et lycéen.ne.s . Travaillez l'expression orale, l'imaginaire et la création en réalisant une capsule vidéo sur laquelle les finalistes seront sélectionnés. Pour en savoir davantage, rendez-vous sur la page dédiée à cet événement en cliquant ici . NOS ACTUALITÉS Découvrez le corpus du concours de lecture à voix haute 2026 Visionnez l'aftermovie du Frankoscény 2025 Visionnez les capsules du concours de lecture à voix haute 2025 NOS PARTENAIRES To play, press and hold the enter key. To stop, release the enter key.

ON EN PARLE ... ÉDITION 2025 Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Radio Prague International À ÉCOUTER La République du Centre Radio Prague International - LAVH À ÉCOUTER Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. 4ÈME ÉPISODE RÉSUMÉ : Recontrez notre nouvelle service civique Cécile Costa, qui s’occupe cette année de la 6e édition de notre festival de théâtre lycéen francophone, le Frankoscény. Dans cet entretien, Cécile nous raconte son quotidien au sein de la compagnie, ses missions ainsi que la place du théâtre dans sa vie. Belle écoute ! 7ÈME ÉPISODE RÉSUMÉ : Notre festival débute dans 5 jours et à cette occasion nous échangeons avec la marraine de cette 6e édition Markéta Hodouskova. Elle nous parle de son lien avec la culture française et la francophonie, de son rôle de marraine et de sa rencontre avec Eric Cénat. Belle écoute ! 8ÈME ÉPISODE RÉSUMÉ : Notre volontaire service civique, Cécile Costa, nous parle de ce qui l'a tout particulièrement marqué pendant ces trois jours de festivité, de l'importance de l'existence de projets européens et de ses envies futures. Belle écoute ! ÉDITION 2024 Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. La République du Centre Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Épisode spécial "FRANKOSCÉNY" RÉSUMÉ : Nous échangeons avec notre volontaire en service civique, Gaïa Colombe qui nous parle de ses missions, de l'organisation du festival et de son arrivée à Pardubice, en République Tchèque. Belle écoute ! 9ÈME ÉPISODE RÉSUMÉ : À l’occasion du lancement de la 5e édition de notre festival "Frankosceny" jeudi 25 avril, nous avons la chance et la joie d’échanger avec le parrain de cette édition Sergii Ieromin, directeur du Centre de langue et culture française Paris-IF, Ivano-Frankivsk en Ukraine. Il nous partage son amour pour la langue et la culture française, nous parle de son travail et de comment il parvient encore, malgré la guerre, à maintenir une vie culturelle. Belle écoute ! ÉDITIO N 2023 Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. ÉDITION 2022 Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project.

DEVENEZ PARTENAIRE DU PROJET Téléchargez notre brochure en cliquant sur les icônes pour découvrir en quoi le Nové Scény est un beau projet international et culturel à soutenir, comment votre organisation peut nous aider, et ce que nous pouvons vous proposer en échange de votre soutien ! Cliquez sur l'icône ci-dessus pour télécharger notre brochure en français. Click on the icon above to upload our booklet in English. Contactez-nous THE GUEST ARTIST To play, press and hold the enter key. To stop, release the enter key.

VELKÉ SCÉNY 13 - 16 avril 2026 THE GODMOTHER Markéta Hodoušková Director of the Czech-In Film Festival and Kino Visegrad Markéta Hodoušková was born in Prague and holds a Master's degree in Audiovisual and Cinema from the Sorbonne and a Bachelor's degree in Translation from Charles University in Prague. She has contributed to the writing of French subtitles for more than 25 Czech films. She has also served as the General Director of the International Confederation of Arthouses (CICAE). She is now a member of several European initiatives, including the Paris Council of Europeans, the Observatory of Cultural Diversity, Film New Europe, and the European Network for Cinema and Media Studies. In 2009, she founded the Czech-In Film Festival in Paris , which aims to promote Czech and Slovak cinema to the French public. In 2014, she also created Kino Visegrad , an agency promoting Central, Eastern and Balkan European cinema in France. THE GUEST ARTIST Laura Segré-Cenat Actress She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. THE GUEST ARTIST Laura Segré-Cenat Actress She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. THE GUEST ARTIST To play, press and hold the enter key. To stop, release the enter key.

PRÉSENTATION DU FESTIVAL Ancre 1 Velké Scény anciennement Frankoscény Frankoscény is an international, non-competitive French-speaking high school theatre festival , organised and supported by Éric Cénat, director of the Théâtre de l' Imprévu company ( Centre-Val de Loire, France) and co-organised by the Alliance française de Pardubice (Czech Republic). Created in 2019 with the support of the European and International Cooperation Service of the Centre-Val de Loire Region, it now brings together French-speaking and Francophile amateur high school troupes from different countries, such as the Czech Republic of course, but also Bulgaria, Slovakia, Hungary, Romania, Tunisia and for the first time in 2024, Canada. These various troupes meet in Pardubice for three days , which are organized around the performance of the students' shows, round tables and artistic practice workshops. These highlights are enhanced by three evenings placed under the sign of the Francophonie and artistic exchange. On the first evening, the festival offers an "open stage" where participants can present, in a free form, what they wish to share with the other troupes. The second evening is made way for the professional show, proposed each year by the guest artist. And to close the festivities, a festive evening is organized to continue to encourage exchanges and celebrate the end of this human and artistic adventure. Thus, the Frankoscény not only offers young participants the opportunity to perform on a real theatre stage (East Bohemian Theatre), but also allows them to benefit from varied artistic training, through workshops led by professionals. Resolutely focused on Europe, the festival places the human and civic dimension at the heart of its project. Édition 2025 2024 REPORT 2022 Edition 2022 REVIEW 2024 Edition 2024 REPORT 2020 Edition 2020 REVIEW 2023 Edition 2023 REPORT 2019 Edition 2019 REVIEW Lieux emblématiques The Theatre - Small stage At Divadla 2703, Pardubice Troop shows, rehearsals, professional show L'Alliance Française de Pardubice Klášterní 54, 530 02 Pardubice I Rencontres artistiques Menu Nové Scény Close Général Nouvelle page Nouvelle page Nouvelle page Contact Nouvelle page Nouvelle page Edition 2025 2024 Edition 2023 Edition Nouvelle page 2020 Edition Nouvelle page Nouvelle page READING ALOUD Nouvelle page Nouvelle page Nouvelle page Nouvelle page Nouvelle page 2022 Edition 2019 Edition Services Nouvelle page Nouvelle page Nouvelle page Nouvelle page LEGAL NOTICES Nouvelle page Résultats de recherche "Nous souhaitons montrer la dimension universelle du théâtre et l'importance de la francophonie et son rayonnement à travers le monde." Éric Cénat - directeur artistique du Nové Scény

MALÉ SCÉNY 12 - 13 avril 2026 THE GODMOTHER Markéta Hodoušková Director of the Czech-In Film Festival and Kino Visegrad Markéta Hodoušková was born in Prague and holds a Master's degree in Audiovisual and Cinema from the Sorbonne and a Bachelor's degree in Translation from Charles University in Prague. She has contributed to the writing of French subtitles for more than 25 Czech films. She has also served as the General Director of the International Confederation of Arthouses (CICAE). She is now a member of several European initiatives, including the Paris Council of Europeans, the Observatory of Cultural Diversity, Film New Europe, and the European Network for Cinema and Media Studies. In 2009, she founded the Czech-In Film Festival in Paris , which aims to promote Czech and Slovak cinema to the French public. In 2014, she also created Kino Visegrad , an agency promoting Central, Eastern and Balkan European cinema in France. THE GUEST ARTIST To play, press and hold the enter key. To stop, release the enter key.

NATIONAL READING OUT LOUD COMPETITION #6 Theme : POEMS OF EUROPE LES CAPSULES VIDÉOS Pour l’édition 2025 du concours de lecture à voix haute, le format était numérique : chaque participant·e a enregistré une courte vidéo dans laquelle il ou elle lisait à voix haute un poème choisi parmi le corpus proposé. Découvrez les capsules vidéos des finalistes de cette 7ème édition ! 1er.ère.s finalistes du concours lycéen et collégien de lecture à voix haute 2èmes finalistes du concours lycéen et collégien de lecture à voix haute 3èmes finalistes du concours lycéen et collégien de lecture à voix haute

L'équipe Éric Cénat / directeur artistique - eric.cenat@orange.fr Morgane Nory / secrétaire générale - admin@theatredelimprevu.com Cécile Costa / Coordinatrice- frankosceny@gmail.com Des questions ? LES FESTIVALS : OÙ ? QUAND ? COMMENT ? SUR PLACE AUTRES Quelles sont les dates des prochaines éditions ? Dates des éditions 2026 : Malé Scény, le festival collégien du 11 au 13 avril 2026. Velké Scény, le festival lycéen du 13 au 16 avril 2026. Préinscription & inscription PRÉINSCRIPTION Vous pouvez vous préinscrire dès maintenant et jusqu'au 31 octobre 2025 en remplissant le formulaire ci-dessous et l'envoyer à l'adresse mail suivante : frankosceny@gmail.com. (frankosceny@gmail.com.) À la suite de cette période, une première réunion d'information sera organisée avec les pré-inscrits. INSCRIPTION Les inscriptions définitives seront possibles suite à l'étude de votre candidature par les organisateur.trice.s, qui vous enverront les documents nécessaires. Votre inscription sera validée à la réception de l’ensemble des documents demandés Sans cela, votre inscription ne sera pas prise en compte. À combien s'élève les frais d'inscriptions ? Malé Scény : 150€ par participant.e.s (élèves et accompagnateur.trice). Ce montant comprend les 6 repas ainsi que les 3 nuits d'hôtel pendant la durée du festival. Velké Scény : 170€ par participant.e.s (élèves et accompagnateur.trice). Ce montant comprend les 8 repas ainsi que les 4 nuits d'hôtel pendant la durée du festival. Où se déroulent les festivals ? Les deux festivals proposés se déroulent à Pardubice, en République tchèque. La ville est le chef-lieu du district de Pardubice et la capitale de la Région de Pardubice. Elle se trouve à 1h de train de Prague. Pour vous y rendre en bus ou en train. Charte de bonnes pratiques Information et condition d'accès - Ne sont autorisées à accéder aux lieux du festival (théâtres, restaurants, lieu d'accueil) que les personnes qui auront été identifiées et indiquées sur les fiches d'inscriptions. Attention, si vous venez d'un pays hors de l'U.E, il est nécessaire de nous communiquer au plus vite vos besoins administratifs afin que vous puissiez faire les démarches nécessaires concernant les visas. - Des feuilles de route expliquant l'ensemble de l'organisation jour par jour vous seront envoyées avant votre arrivée. Elles vous permettront de savoir où aller et à quelle heure. Il est impératif d'en prendre connaissance et de respecter les horaires indiqués. Si vous arrivez le jour même de la cérémonie d'ouverture, merci d'arriver au plus tard à 11h30. - En cas de modification du nombre de participant.e.s (élèves ou accompagnant.e.s) en dehors des périodes ci-dessus, et sous réserve que les devis avec les prestataires aient été signés, les troupes s'engagent à régler les factures supplémentaires qui pourraient avoir été engendrées. Aucune modification d'information relative à votre inscription ne pourra être prise en compte par l'organisateur à 3 semaines de l'évènement. Si un.e participant.e.s ne peut finalement se rendre au festival, les frais de participations sont dus, sauf cas de force majeur (sur présentation d'un justificatif) et à la discrétion du Théâtre de l'Imprévu. - Les participant.e.s s'engagent à régler au plus tôt le montant de leur participation aux festivals (virement à privilégier) sur présentation d'une facture par le Théâtre de l'Imprévu et au plus tard le premier jour du festival. L'hôtel Si vous arrivez en train, un.e bénévole vous attendra à la gare si besoin et vous accompagnera jusqu'à l'hôtel à l'horaire que vous aurez indiqué préalablement. Si vous arrivez le jour même de la cérémonie d'ouverture, merci d'arriver au plus tard à la gare de Pardubice à 11h30. En cas de changement d'horaire de dernière minute, nous ne pourrons vous assurer de la présence de ce/cette bénévole, il est donc nécessaire de bien anticiper votre voyage. Si vous arrivez en bus directement à l'hôtel, un.e bénévole sera sur place pour coordonner votre arrivée. Dans ce cas, vous vous engagez à nous communiquer le plus tôt possible votre jour et horaire d'arrivée (approximative). Le nom/prénom de votre chauffeur ainsi que les dimensions du bus (cette information est nécessaire pour trouver un parking, l'hôtel ne disposant pas de places réservées). Si vous arrivez le jour même de la cérémonie d'ouverture, merci d'arriver au plus tard à 11h30. Attention, l'organisateur ne peut nullement se substituer aux encadrants, il est donc indispensable de bien préparer votre voyage. Nous ne pourrons en aucun cas prendre en charge l'organisation de votre séjour en dehors des dates du festival. Afin d'assurer votre arrivée à l'hôtel dans les meilleures conditions, il est nécessaire de nous faire parvenir une copie de toutes les cartes d'identités de vos élèves et des professeur.e.s. Merci de préparer, en plus, un exemplaire papier de copies des cartes d'identité de tous.tes les élèves et accompagnateur.trice.s. La répartition des chambres est créée de manière aléatoire et non mixte. Les élèves dorment avec les camarades de leur troupe. Les élèves peuvent changer de chambre sous la responsabilité de leur professeur.e.s uniquement. Exceptionnellement, et à défaut de pouvoir vous proposer une meilleure option, il est possible que certain.e.s de vos élèves soient mélangé.e.s avec des élèves d'autres troupes. Nous veillons à ce que la répartition soit non mixte. Le petit déjeuner est inclus. Il est impératif de respecter les horaires indiqués par l'hôtel. La restauration Les régimes alimentaires spécifiques et allergies ont été communiqués au prestataire selon les informations que vous avez complété dans la partie "régime alimentaire" de votre formulaire d'inscription. Il est tout de même nécessaire de rester vigilant, notamment pour les élèves ayant des allergies. Nous vous fournirons des bracelet de couleurs permettant au prestataire d'identifier votre régime alimentaire spécifique. Théâtre de Pardubice La dimension de la Mala Scéna est de 4m x 8m. Nous vous remercions de bien vouloir tenir compte de ces informations dans le cadre de vos mises en scène. En cas de dégradation du matériel prêté, l'organisateur se réserve le droit de facturer à la troupe responsable de cout de réparation/nettoyage de celui-ci. Pour des raisons de sécurité, le personnel peut demander aux participant.e.s et/ou aux accompagnant.e.s d'ouvrir leur sac et d'en présenter le contenu à l'entrée du Théâtre. Le matériel stocké dans les coulisses ne peut pas être utilisé sans la permission de Lenka Křičenská, responsable de la salle. Il est impératif d'attendre ses instructions. Les mises en scène contenant aliments, boissons ou tout éléments risquant de tacher la scène, les rideaux ou les coulisses sont interdits. Nous vous remercions de bien vouloir trouver des solutions alternatives. L'organisateur La compagnie, Le Théâtre de l'Imprévu, décline toute responsabilité en cas de vol, détérioration ou perte des effets personnels de que les participant.e.s et/ou accompagnant.e.s pourraient subir. La compagnie, Le Théâtre de l'Imprévu, n'est pas responsable des élèves. Les professeur.e.s sont responsable de leur groupe et assurent le suivi de leurs élèves. Respect de l'autre et tolérance Le festival est non compétitif. Il invite les jeunes des différentes troupes participantes à partager et échanger entre eux et elles. Ces objectifs reposent sur des principes de bienveillance et de tolérance entre tous.tes. Aucun comportement à caractère discriminatoire, haineux, voir violent ne sera toléré au cours du festival entre tous.tes les participant.e.s. Le Théâtre de l'Imprévu se réserve le droit d'interdire l'accès aux activités du festival à tout.e participant.e qui enfreindrait cette règle.

Menu NOVE SCENY Close Général Nouvelle page Nouvelle page Nouvelle page Contact Nouvelle page Nouvelle page Edition 2025 2024 Edition 2023 Edition Nouvelle page 2020 Edition Nouvelle page Nouvelle page READING ALOUD Nouvelle page Nouvelle page Nouvelle page Nouvelle page Nouvelle page 2022 Edition 2019 Edition Services Nouvelle page Nouvelle page Nouvelle page Nouvelle page LEGAL NOTICES Nouvelle page Résultats de recherche 2025 7ÈME ÉPISODE RÉSUMÉ : Aujourd'hui, c'est un épisode spécial Frankosceny ! Notre festival débute dans 5 jours et à cette occasion nous échangeons avec la marraine de cette 6e édition Markéta Hodouskova. Elle nous parle de son lien avec la culture française et la francophonie, de son rôle de marraine et de sa rencontre avec Eric Cénat. Belle écoute ! 2024 9ÈME ÉPISODE RÉSUMÉ : À l’occasion du lancement de la 5e édition de notre festival "Frankosceny" jeudi 25 avril, nous avons la chance et la joie d’échanger avec le parrain de cette édition Sergii Ieromin, directeur du Centre de langue et culture française Paris-IF, Ivano-Frankivsk en Ukraine. Il nous partage son amour pour la langue et la culture française, nous parle de son travail et de comment il parvient encore, malgré la guerre, à maintenir une vie culturelle. Belle écoute !

FRANKOSCÉNY#6 03-04-05 April 2025 THE GODMOTHER THE GODMOTHER Atelier de théâtre Lycée Jean Renoir - Munich - Allemagne - "Le pont de pierres et la peau d'images" Les Aventuriers du Théâtre Francophone - Stara Zagora - Bulgarie - "Quoi ? En Bulgarie ?" ` Alternativ Közgazdasagi Gimnazium - Budapest - Hongrie - "Du coup, Odyssée" Flamme et Préambule - Cluj Napoca - Roumanie - "Le plus beau livre du monde" Trapné Ticho - Brno - Tchéquie - "Le Révizor" Les Tréteaux d'Olomouc - Olomouc - Tchéquie - "Le silence" Théâtre français CMG - Prostějov - Tchéquie - "Le Petit Nicolas à l'école" Groupe Quantara et Ruspina Théâtre - Korba & Monastir - Tunisie - "La dernière répétition" THE GODMOTHER Bowie comme Bowie Seule en scène de et par Laura Segré, mis en scène par Claire Vidoni On a tous droit à un quart d’heure de gloire. Pour Hermione, c’est être Bowie. Même pour une journée. Depuis toujours, Hermione Lebeau adule David Bowie, son chanteur préféré. Dans son espace secret, elle fantasme, l’imite, lui parle. Jusqu’au jour où elle est appelée pour une mission particulière : donner une conférence sur son idole… Jusqu’où cette passion conduira Hermione ? THE GODMOTHER Le jeudi soir, les différentes troupes ont pris part à une scène ouverte, où chacune a eu carte blanche pendant 5 minutes pour proposer une performance de leur choix. L'occasion pour elles de présenter un aspect de leur culture au public international du Frankoscény ! Le samedi soir, c'était la soirée de clôture, un moment festif pour les participant.e.s avant de se quitter ! THE GODMOTHER Les vendredi et samedi matins, les troupes ont pu participer à des ateliers de pratique artistique en français. Avec Eric Cénat, Claire Vidoni et Laura Segré, artiste invitée, les participant.e.s ont pratiqué le théâtre sous différentes formes, en français. THE GODMOTHER Markéta Hodoušková Director of the Czech-In Film Festival and Kino Visegrad Markéta Hodoušková was born in Prague and holds a Master's degree in Audiovisual and Cinema from the Sorbonne and a Bachelor's degree in Translation from Charles University in Prague. She has contributed to the writing of French subtitles for more than 25 Czech films. She has also served as the General Director of the International Confederation of Arthouses (CICAE). She is now a member of several European initiatives, including the Paris Council of Europeans, the Observatory of Cultural Diversity, Film New Europe, and the European Network for Cinema and Media Studies. In 2009, she founded the Czech-In Film Festival in Paris , which aims to promote Czech and Slovak cinema to the French public. In 2014, she also created Kino Visegrad , an agency promoting Central, Eastern and Balkan European cinema in France. THE GUEST ARTIST Laura Segré-Cenat Actress She trained at ESCA in Asnières S/Seine, from which she graduated in 2016. She began her professional career at the age of 19 at the Théâtre de l'Imprévu. She has performed in several shows with different directors: Philippe Baronnet ( Maladie de la jeunesse ), Dominique Lurcel ( Nathan le Sage ), Bruno Bonjeau ( Et dans le trou de mon cœur, le monde entier ), Arnaud Guillou ( Butterfly, L'Envol ), as well as in collective creations, emerging companies with her actor partners met at school: Mathieu Barché ( Hiver and Je suis le vent by Jon Fosse), Adrien Guitton ( L'Aile Déchirée by A.Guitton) immersive theater with La Grande Suite ( Eva Carmen Jarriau )… She has performed several times at the Théâtre de l'Épée de Bois at the Cartoucherie in Vincennes, at the Cent Quatre, at the Théâtre Gilgamesh Belleville in Avignon, at the Grand Parquet, at the Comédie de Caen, etc. Within the Théâtre de l'Imprévu, she played the role of Laura in The Glass Menagerie by T. Williams directed by Éric Cénat and plays in the company's latest creation: Dorphé aux enfers, Orléans 69 a text by Luc Tartar, directed by Eric Cénat at the CDNO in Orléans. In 2024 she conceived, wrote and performed her first one-woman show Bowie comme Bowie . In 2025, she reprised the role of the Child in the play Une Vie, là-bas by Jacques Dupont, directed by Éric Cénat. VOLUNTEER IN CIVIC SERVICE Cécile Costa Cécile COSTA was recruited as a volunteer on a civic service mission by the Théâtre de l'Imprévu to ensure, alongside the Imprévu team, the organization of the 2025 edition of the Frankoscény festival. With a master's degree in cultural project management and territorial development, Cécile has always had a keen interest in culture and more specifically improvisational theatre. During her Erasmus year at Charles University, she was able to discover the city of Prague and its region. The Czech Republic has then become a country that fascinates her and that pushes her ever more to discover its culture. From January 2025, she will work from the Alliance Française in Pardubice, a place she knows well since from January to June 2024, she was the Alliance's cultural and communications officer. VOLUNTEER IN CIVIC SERVICE VOLUNTEER IN CIVIC SERVICE La sixième édition du Frankoscény est placée sous le haut patronage du Parlement européen, de la Région Centre-Val de Loire, de la Région de Pardubice, de l'Ambassade de France en République tchèque, de l'Institut français de Prague ainsi que du Ministère de l'Éducation de la Jeunesse et des Sports.

Frankoscény #3 - April 22-23-24, 2022 Back to a physical edition! THE PROGRAM PARTICIPATING TROOPS - 2023 edition Hradec Kralové - Czech Republic Prostejov - Czech Republic Trencin - Slovakia Olomouc - Czech Republic PARTICIPATING TROOPS - 2023 edition La Vallée aux Pommes Réalisé par Clément Peretjatko d'après un texte de Marie-Pierre Cattino Synopsis: Twan sees Ma crying on a rock. They decide to leave the forest together to join the apple valley that their parents have designated for them as a haven of peace. There, the shooter in the straw hat will not be able to reach them, and maybe even the moon will show itself to shine again! But how can two children of six and eight years old find their way hidden by too many warpaths? And what if, from up there, between the stars and the rifle shots, an eagle tired of the chaos of the adults descended to dry their tears and take them under its wing? PARTICIPATING TROOPS - 2023 edition Le jeudi soir, les différentes troupes ont pris part à une scène ouverte, où chacune a eu carte blanche pendant 5 minutes pour proposer une performance de leur choix. L'occasion pour elles de présenter un aspect de leur culture au public international du Frankoscény ! PARTICIPATING TROOPS - 2023 edition For the first time, Literary Encounters took place at Frankoscény! These meetings with Lenka Horňáková Civade, a Czech and French-speaking writer and patron of the festival, were an opportunity for the students to discuss with her the richness of her work at the crossroads of two cultures and two languages, French and Czech, and to show them more concretely what learning French can bring them. They were also able to discuss with her the themes related to questions of translation and interpretation when one finds oneself caught up in language constraints. These rich and exciting exchanges delighted both the students and Lenka Horňáková-Civade. PARTICIPATING TROOPS - 2023 edition During the festival, artistic practice workshops are offered to participating troupes, supervised by professional artists. This year, Claire Vidoni, Clément Peretjatko and Éric Cénat took part. PARTICIPATING TROOPS - 2023 edition Lenka Hornakova-Civade Writer and painter A graduate of the École des Hautes Études Économiques, Lenka Horňáková-Civade studied at the same time for a few semesters at the Faculty of Philosophy of Charles IV University in Prague. She then travelled around Europe, then settled in Paris in 1994 for a year of study - Copernicus Programme, and also attended anatomy classes and nude workshops at the Beaux-Arts in Paris. Drawing became a daily exercise. She obtained a degree in Plastic Arts from the University of Paris 1 - Sorbonne. In 2010, she published her first story in her mother tongue, Provence jako sen , published by NLN (Prague), and wrote columns and short stories for Czech Radio - Český rozhlas in the Czech Republic and for various weeklies and monthlies. From 2016, she wrote directly in French: Giboulées de soleil, winner of the Renaudot des Lycéens prize in 2016, published by Folio in 2018, Une verrière sous le ciel , published in 2018 by Alma éditeur, Prix Richelieu de la Francophonie, Apprendre Prague , collection of short stories, published in 2019 by Magellan & Cie, and L a Symphonie du Nouveau Monde , published in 2019 by Alma éditeur (on the second list of the Renaudot Prize). In 2020 she was president of the jury for the Prix Goncourt Choix of the Czech Republic. In January 2022 his latest novel, Un regard bleu , was published by Alma éditeur. PARTICIPATING TROOPS - 2023 edition PARTICIPATING TROOPS - 2023 edition Clement Peretjatko Director and puppeteer A graduate of the National School of Puppetry Arts in Charleville-Mézières, Clément Peretjatko has focused his artistic work on the intersection between dramaturgy, poetry and the arts of puppetry. After having practiced comic and poetic shadow theatre in the Balkans, travelled to different African countries to meet artists from different cultures, he is now questioning theatrical practices in Eastern Europe which combine puppets and dramaturgy. He now works as a director, performer, puppet maker, artistic advisor and/or teacher within the Collapse company and with several internationally renowned artists (Ézéquiel Garcia-Romeu, Jeton Neziraj, Alain Borer, Neda Nejdana, Radovan Ivsic, etc.). Violette Grünenberger Holder of a Master's degree in Museology from the École du Louvre and a Bachelor's degree in the history of the arts, Violette also studied literature. Her academic background and musical training have given her the desire to share and exchange ideas about the arts and literature, within the framework of international and European cultural projects. After completing her master's degree, Violette wanted to discover the field of international cultural cooperation in a professional setting, with a view to becoming a cultural cooperation attaché. She was recruited as a volunteer on a civic service mission by the Théâtre de l'Imprévu to ensure, alongside Sarah Courson and Éric Cénat, the organization of the #3 edition of the Frankoscény festival. From November 2021, she will work from the Alliance Française in Pardubice.

PRESENTATION OF THE READING ALOUD COMPETITION Aborder la lecture à voix haute avec comme support textuel la poésie a pour mérite l’expression immédiate de sentiments divers, de faire œuvre de catharsis et de jouer avec les mots. Le Concours national de Lecture à Voix Haute a été imaginé et conçu par Florence Saint Ygnan (alors en poste à l'Institut français de Prague comme attachée de coopération à la langue française) et Éric Cénat. Plusieurs formations à la lecture à voix haute ont eu lieu au sein même de l'Institut français de Prague afin de préparer au mieux les enseignants en français. Les objectifs artistiques, pédagogiques et linguistiques sont les suivants : Prononciation et placement de la voix; Langage corporel/maitrise corporelle; Regard au public; Transmission et gestion de l’émotionnel; Mise en avant de sa personnalité à travers les écrits d’un autre. Ces rencontres de Lecture à Voix Haute visent à développer l'intérêt des jeunes tchèques pour la poésie, ainsi que pour la lecture expressive, la langue française et la francophonie en général. "Aborder la lecture à voix haute avec comme support textuel la poésie a pour mérite l'expression immédiate de sentiments divers, de faire oeuvre de catharsis et de jouer avec les mots." Éric Cénat - directeur artistique du Nové Scény Édition 2025 2024 Edition 2023 Edition 2020 Edition 2020 Edition